Here's some nice things some nice people said about my work:
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“Hywel John's subtle and compelling script… tremendous fun with this exuberant and idiosyncratic language”
- Fiona Mountford, EVENING STANDARD

“Delicious wordplay”.
- Jo Caird, FESTMAG

“Exquisitely nuanced…Hywel John's first play is a fascinating piece, always gripping, often very funny, beautifully paced.”
Victor Hallett, THE STAGE

“A well-crafted, winning new play”
Dominic Cavendish, THE TELEGRAPH

“It’s psychological surety will leave you in pieces”
Alfred Hickling, THE GUARDIAN

"In the best tradition of modern British theatre: daring, frightening, and deeply human."
Ben Trawick-Smith, NYTHEATRE.COM

“Sublime”
- THREE WEEKS

'Grips its audience by the throat... bordering on perfection.'
The British Theatre Guide

'An electric new play on the dangerous immediacy of falling in love... this isn't a gentle, reflective play about a mundane relationship. It's a cable downed in a hurricane, thrashing and sparking in the wet and windy street... 'Seanmhair' is an exciting, volatile new play deserving of wider audiences'
Fest Magazine

'A strikingly staged tale of love, loss and emergent womanhood'
The List

'Gripping from the off... This piece packs a punch, it’s a heady mix of bleak reality and hissing poetry, travelling at a hundred miles an hour... this writing is infectious, occultist and highly addictive.'
TheateFullStop

'What makes Seanmhair such an enduring piece of theatre is the sheer beauty and intensity of its writing… Seanmhair is, at its core, a carefully crafted piece of music. And not a note is put wrong' 
Critically Speaking

‘Hywel John’s very fine play… A great piece of theatre art.’ 
– Theatre in Wales 

‘Hywel John’s raw and poignant script… a thought-provoking and innovative production… This play was one of the most unforgettable I have seen, one that has stayed with me for days and has spurred me to think about its central messages. This does not happen very often in theatre.’ 
– Arts Scene in Wales

‘An astonishing script… as rich as a novel in the imagery it mines. With a pen as spare and sharp as a caricaturist’s’
Culture Colony


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